{"id":5482,"date":"2009-06-22T13:30:06","date_gmt":"2009-06-22T13:30:06","guid":{"rendered":"https:\/\/labcom.ubi.pt\/?p=5482"},"modified":"2022-10-07T15:34:43","modified_gmt":"2022-10-07T15:34:43","slug":"cyberpunk-2-0-fiction-and-contemporary","status":"publish","type":"post","link":"https:\/\/labcom.ubi.pt\/en\/cyberpunk-2-0-fiction-and-contemporary\/","title":{"rendered":"CYBERPUNK 2.0: FICTION AND CONTEMPORARY"},"content":{"rendered":"
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I first published this book in 1999, a few months before the The Matrix motion picture was released. This was my first book, and there\u2019s no other like our first one. So in the past decade I have been updating this Cyberpunk 2.0: Fiction And Contemporary. And instead of seeing it turning obsolete I witnessed it become very real, present and obvious.
\nThis Second edition of Cyberpunk 2.0: Fiction And Contemporary is about the \u201creloading matrix\u201d of media, how videoclip culture globalized itself, and also how new media and online fashions crossed each other\u2019s paths. Science-Fiction aesthetics are preceding, as well as they\u2019re contemporary and beyond any image of the future we might have. Where or when we\u2019re heading now, there\u2019s an Asian megalopolis skyline awaiting for our visit. In such places, much of the cyberpunk fiction is real, the icons of cybernetic world are among us, and high-tech gear is just part of the set of everyday life. Some new trends came up like banding dance culture, online gaming, mobile Web, anime graphic cultures, culture jamming, and many others as Tetsoo\u2019s motion-design. The fact is that hypermodern digital shockwaves are still on the loose. As a matter of fact, the future is what we make of it.<\/span><\/p>\n

Pre\u00e7o da edi\u00e7\u00e3o impressa:\u00a0<\/span>\u20ac 20<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/article>\n